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Designer and Comic Illustrator (and music lover!)

LP 7 – Yesterday Once More

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We’ve Only Just Begun –

Calling Occupants of Interplanetary Craft –

How to start off a brand new year?? Well I’ll give it my darndest shot.

Yesterday Once More (1985) by the Carpenters. Before you say “Finally an album from the 80s!” I want to point out that this is actually just a compilation album of the Carpenters’ work, most of which is actually from the 70s 😛

For being just a compilation album though it went Platinum in three countries and double Platinum in the US! The Carpenters were often disliked by critics, who described their music as slow Pop music that was too bland. However other music artists often cite them for inspiration (Sir Paul McCartney is quoted for describing Karen Carpenter as the best female vocalist ever). Whatever the case was, their career was cut short with Karen’s tragic death in 1983 at the age of 33 due to complications with anorexia. The band consisted primarily of the brother sister team of Karen on drums and Richard on the keyboard.

Apart from being one of their most loved songs, “We’ve Only Just Begun” felt like the best way to start the year off fresh to me. “Calling Occupants of Interplanetary Craft” isn’t actually one of the songs they wrote, but it’s one that they made popular and is personally one of my favorites. If their style of music just ain’t your cup of tea, I would heavily suggest you listen the album “If I Were A Carpenter” (1994) which is an album made up of Carpenter songs re-imagined by Alternate Rock bands from the early 90s that dishes up a cool clash of generations.

My Tribute To……Twokinds!

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Alright. Vinyl LPs are pretty cool, but let’s get to something I’ve been wanting to post since I created this blog: Tributes, Or “My Inspirations” (according to the category it’s listed in). Basically fanart that I’ve drawn to honor someone that has greatly inspired me in my artistic endeavors.

Let’s start this off with one of my all-time favorites: Twokinds by Tom Fischabach.

Twokinds is a webcomic largely following Trace, a blue-haired dude with amnesia, and Flora, a tiger keidran gal. The setting is a fantasy universe with high racial tensions between the humans and keidran. Trace and Flora develop a strong friendship and find themselves right between all of this conflict. While my poor description may play this up as another Romeo & Juliet clone, there is much more to it including Trace’s troubled past and an ever expanding cast that provides multiple viewpoints and side plots that at times become the focus. Trace and Flora provide an excellent central focus and plot, but I’m a huge sucker for side characters, and Twokinds delivers plenty in this category ^^

As time passes, I find more and more webcomics that really grab my attention, but Twokinds will always have that special nostalgia that can only be attained from being my first webcomic experience. With an astounding amount of 13 years on the internet, Twokinds has seen a lot of change. Sure, I didn’t get on the bandwagon till roughly the middle of Chapter 13, around 2010 (I think), but even since then a lot has changed.

I was still in high school at the time and I wasn’t much of a comic nut at the time, believe it or not. I would occasionally sketch some and daydream about some random action stories that never made it to paper. When I eventually stumbled upon Twokinds, it not only introduced me to webcomics, but also a proper introduction into the furry community (for better or for worse xD). It definitely ignited my initial passion for comics in general, which would lead me later to manga and graphic novels. It inspired me to sketch more often, eventually leaving me convinced to pursue (and recently complete!) an art degree at college over a tech degree. But most of all, it encouraged me (along with the help of Slightly Damned, but that’s a story for another fanart) to begin Mutt in the Middle.

When I began sketching more often after I began reading Twokinds, I wasn’t exactly super confident in my skills (heck, I’m still working on that problem…). But as I looked at Twokinds‘ humble beginnings (I mean that in the nicest way possible Tom!) and where it had gone, it gave me just enough confidence to put the pencil to the paper. If Tom had started in high school and had gone that far, maybe I could too! Of course I knew I was being a little optimistic, but I was willing to look like a fool trying rather than looking back at my life wondering if I could have done it.

Oh! I guess I should at least say a word or two about the actual fanart itself…
I haven’t been posting them here on this blog, but I’ve been designing several posters from different graphic design eras. I kinda wanted to give Art Nouveau another shot, and the concept of building a composition around Trace and Flora hugging came pretty easy to me. That said, I would normally fill the background elements with some complex designs (probably something nature-themed, leaves, flowers, etc.), but I was curious how it would look just left simple and clean like this. Also the hair, specifically Floras, not sure if I like how it came out. On my last Art Nouveau poster I did the hair long and stringy, more according to the style of that era, but I kinda wanted to keep Tom’s style and eventually it ended up somewhere awkwardly between the two…

Well, I’ve certainly been talking the night away and I better stop there before I unleash more boring “growing up” stories onto the depths of the internet. If you’ve never read it or never gave it much of a chance, please go take a look at: Twokinds Homepage. And if Tom Fischabach ever skims though this, HOLY CRAP!!! Er…I mean…thanks for everything! You’ve certainly made an impact on this random artist’s life ^^;

New 2017

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Happy New Year Everyone!!
May 2017 be an even better year for you than 2016.

Personally I’m not a huge “New Year’s Resolution” guy, but there is one thing I like to do. I enjoy naming the music band that had the biggest impact on my year. If you’ve been staying up with my Monday LPs, you might remember I mentioned it was Jethro Tull. Although if I had to pick a “newer” band from my generation, I think I’d say FIDLAR.

If ya never heard them, I’d really suggest them if you like some more punk-styled music. ^^

Page 115

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Ah yes, another beautiful page displaying my inability as an artist 😛

I never got Ray to look right while coughing in the first panel, nor did the blood-stained handkerchief come out very well in the fifth panel. Did have some fun trying out some new panel ideas though. Also experimented with some more variety in word bubbles and font (which I might keep working with).

Since the last page did not exactly instigate a wave of discussion about how I should ink the pages, I decided on my own that I’m still gonna try to pursue the “ink shading” at least a little bit longer…

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LP 6 – Minstrel in the Gallery

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Baker St. Muse & Grace –

So this is the last LP Mondays before 2016 has come and gone (which is crazy to think about). So I decided I wanted to sift through my vinyls and decide to pick a band that really made an impact on me over the year. Well. Here it is.

Minstrel in the Gallery (1975), Jethro Tull. If you had told me last year that Jethro Tull would easily rank in my top ten favorite music artists of all time, that I would own a large variety of their albums, and that I would spend $70 just for the cheapest seat at one of their concerts, I probably would have been confused. It’s not that I disliked them, I just never got into them. I am extremely fond of the 60s and 70s era of music (if it’s not bluntly obvious by now), but for some reason, Tull had never really caught my ear. I had heard a single or two from them (like “Hymn 43” or “Bungle in the Jungle”) and they just didn’t stick. I was not aware though at the time that Tull’s strongest point (in my opinion at least) is in their “album” construction, not their individual singles.

So many of their albums are what are called “concept albums” where specific themes or narratives are carried throughout the entire album. While their album Aqualung is definitely and example of this, a more extreme example would be their next album Thick As a Brick, an album completely devoid of “individual” songs. Instead of songs there’s just Side A and Side B on the record. Other times their themes would extend beyond even just one album (for example, their folk rock trilogy).

In Minstrel in the Gallery, we are given a selection of tunes from “the minstrel in the gallery” that vary in subject matter, but ultimately reveal more about the character’s personality. This all accumulates in the last (technically, second last) song titled “Baker St. Muse” which takes a step back and is a very direct look at the character. I picked this song because it displays Tull’s ability to weave a story within a song while juggling different themes in their lyrics with variations in their musical style. It goes from its simple acoustic guitar, to sweeping string segments, to hard rock, and of course features Ian Anderson’s iconic flute playing.

I actually included “Grace” because it was easier to record by just letting the record finish. It’s actually exceptionally short, consisting of only four lines (it’s the last bit after you hear Anderson walk away and complain about not being able to get out). Also it’s just a pretty farewell to an album ^^

If you take anything away after reading this, it should be that this is not actually the best way to listen to Jethro Tull. This song is more of an exception than some of their other stuff, but their works really do hold up so much better in the setting of the entire album. Nowadays bands like Green Day offer some impressive concept albums (American Idiot, Revolution Radio) and there were even plenty of bands to come before Tull with some stellar concept albums, but there’s still something about Tull’s music that has managed to capture my heart.

P.S. If you’re a Green Day fan like myself, I think you’ll also smirk at the botched acoustic guitar opening followed by a whispered cuss on this song.

Merry 2016

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This year’s Christmas greeting is kinda sad honestly…

While brainstorming some ideas for this Christmas special I knew I wanted to do some elaborate font work, but I wasn’t sure what else. At some point I thought about drawing Janice and then I thought what about drawing all the girls from MitM. I then realized that sadly there was only one other girl to add. Mel.

Several of the characters that I want to introduce later on in MitM are females, but most of them are still a long way off from being introduced. Till then, please forgive my terribly balanced cast roster >.<; Merry Christmas from all the fictional characters of Mutt in the Middle (and of course me too)!!!

Inking Conversation

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So conversation post here (let’s hope someone partakes).

This is the most recent page (114) before I shaded it with pencil. Honestly, to me, this way of inking looks better at this stage than my other way of inking (“shading” like pages 111-113). There is some elements that I really like about the “ink shading” though (pages 111-113), I just feel that I need to do some serious practice with this style.

Any preferences or thoughts???

Page 114

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Come on Dayton. “…decided to do it yourself.” That seems a little much. I’m pretty sure Sam played a pretty significant role in convincing you to do the job 😛

Spent a lot of time writing this page. I knew from the beginning I wanted the conversation to escalate to having Dayton frustrated and on the edge of an argument, but smoothly getting there with the dialogue proved a significant challenge for my small little writer’s brain…

However, I was really pleased with how the panel layout came out. I liked the 9-panel grid (with the missing panel in the middle) and how it created this circular composition that revolves around a conversation. The conversation itself also goes through a three level system (top three panels, then middle two, and then final three) as things become tense. Another cool touch I tried to do was keep the left panels focused on Dayton and the right ones on Ray. Originally the bottom ones were gonna perfectly mirror the top panels (first panel would show Dayton with Ray silhouette in background, and the last two focus on Ray), but I switched it up a little.

Also, Oh look! No ink-shading-thingy this page. I’m not completely abandoning the ink shading, but I wanted to try and see what it would look like just filling in open spots with ink. I’d love to hear what you guys think. Your opinion could change the future of MitM’s style! 😀

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LP 5 – A Christmas Together

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Twelve Days of Christmas

Have Yourself a Merry Little Christmas

Here’s an unfamiliar face x3

A Christmas Together (1979) by John Denver and the Muppets. So I realize that John Denver was just brought up not that long ago, but this has the Muppets as well, so it’s different. Right??? ^^;

Well that and this is the only Christmas vinyl that I own…

Denver and Henson were pretty close friends and Denver showed up on the Muppet Show multiple times. Growing up I fondly remember a combination of Sesame Street and several Muppets movies. My interest in Muppets actually reignited in high school after discovering several old Muppets episodes online on places like YouTube. To this day, I still really enjoy Muppets’ fun sense of humor and I’ll occasionally catch a Muppet movie now and then.

While this album was promotion for the upcoming Christmas TV special that year, it actually features different recordings than the ones used for the show. Here’s the slightly different “Twelve Days of Christmas” on the special HERE

Also I normally just display a photo of the cover, but the inside of this LP is really cool! It features these awesome illustrations for each of the songs. Well, just wanted to share this extra little bit of detail. Have a Merry Christmas everybody!! ^^

Page 113

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Whoops, a day late, but I gave it my best ^^;

Once again, blah blah, not sure this style is working, blah blah, it’s becoming more and more obvious I’m not sure what I’m trying to do with this style, blah blah blah 😛

Still trying to find a balancing point, but I do really want to push my art style, so please bare with me through these troubling times of extreme experimentation (I mean I’m always trying to experiment with MitM, but this is more radical and…yeah…)

Since it’s NOT obvious by any means, the long skinny panel is meant to show Dayton in four positions. Running down the stairs, grabbing a loaf of bread (yeah yeah, I know, but there are many more issues than my poorly drawn bread), slicing the bread, and then his silhouette grabbing something from the top of the cupboard. Yeah…this panel kinda just fell apart the farther along I got. I had hoped that silhouetting the last Dayton would help him and the other characters stand out more, but that obviously didn’t work. I was also unsure of whether or not to use the solid inking black for background elements or foreground stuff. Yup. Officially botched.

Also back to crappy scanner for a few weeks…

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